|
artist’s statement |
Calm
winter light… Lush
extravagance of autumn leaves… The
unique elements of each season in New England continually urge me to transmit
and share my pleasure in making a painterly statement that is nature based
but primarily coloristic. Color
relationships have always fascinated me and formed the basis of my work,
starting with the geometric abstractions I did following my formal schooling
at the School of the Art Institute of Chicago. But I found I needed a
concrete point of reference. Landscape has provided that ever since, even after
a fifteen year hiatus when I did not paint at all. It allows a variety of
expressive possibilities to explore color and surface with the tactile
sensuous quality of the paint itself. However, my interest is not to create a window on
the world or to reproduce the view, but to make an object that is compelling
in its own right. That is one reason I do not frame my work. My aim is to
celebrate visual experience, rather than to convey information or illustrate
an idea. painting
becomes a journey of visual discovery in which improvising on chance plays an
important part. the universal
features of landscape - trees, sky, ground, - are simplified more and more as
the image develops in its own way. Colors may be lush, mysterious darks,
bright glowing hues, or subtle combinations; paint may be thick, scraped,
layered or glazed. The resulting images are an evocation, an emotional
resonance of what I have seen. |