Leslie Lyman, Petal Portrait: Ranunculus, 2025, archival pigment print, 20 x 30; Susan Ahearn, Icing On The Cake, reworked 2026, oil, 24 x 24

Leslie Lyman :: Artist Statement

I create intimate impressions that mark and remember what history fails to tell us about the everyday lives of women – the daily efforts, the steady presence, the invisible toil, the love and the loss. My objects and settings stand in perpetual tribute to this caregiving – women’s work – that persists through generations. I use photography and sculptural installation to capture images that hold memory and the ghosts of memory. My work deliberately blends old and new, fully aware that there are stories embedded deep within these objects and knowing that recollection, sentiment, intention and attention are passed on to the lives
of other women.

Coping: Petal Portrait Series

I find immense beauty in the entire lifecycle of a flower. I am drawn, most especially, to its later stages – the softened petal, the deflated structure, the discoloration, the broken edge, the dried petals and stems. The evolution of a flower is a daily engagement. These portraits, on much used platters, plates and bowls, tell stories of use and repair, appreciation and acknowledgement, wisdom and experience, close observation and extended grace. Creating this work, during this time, is a steady comfort – lingering bits of perseverance.

Still Conversations: Susan Ahearn + Leslie Lyman

Exhibition Reception Date:

May 14, 5:30pm

Exhibition Opening:

May 7

Exhibition End Date:

May 31

Exhibition Year:

2026

Susan Ahearn :: Artist Statement

I am a visual artist working primarily as an oil painter. I have always been deeply inspired by nature and motivated to create something poetic and beautiful. My paintings range from small, intimate representational works to large abstract and semi-abstract pieces. My creative process is greatly influenced from coastal Massachusetts, where I currently live, as well as by much of my youth spent outdoors in rural central New Jersey. Most of my work begins with sketches made on location or in my studio. When working abstractly, I use the sketches only as a point of departure, adding elements from memory as I respond to the visual needs of the piece. Depending on the overall feeling I want to convey, I may choose a limited palette or use a full palette to mix colors that most closely match what I observe.