Astrid Reischwitz, Eggs, Pancakes and Yarn, 2024, archival pigment print, 18 x 24; Rebecca Mann, Thriving, 2025, oil on canvas, 39 x 31

Artist Statement

Regardless of having spent the last several years abroad, there is a consistency to my work whether produced in Africa or in the States. This is the serenity I get from being alone in nature. Immersed in my natural surroundings my attention is drawn to the boundless strength and the relentless determination to be. Although fragile, our environment displays a quiet resolve to thrive defiant of a constant and looming threat. These acts of endurance inspire me to reflect on the inner self which struggles to do the same…to persevere and find tranquility despite of the injuries incurred or the traumas sustained. There is a resilience to the human spirit which facilitates its ability to heal, rebuilt, and recover. It twists, bends, and folds in an attempt to conceal its imperfections, hide its wounds, and carry on. My paintings are perhaps an acknowledgement of these quiet triumphs which are inspiring and commendable in a world of incessant noise, turbulent change, and constant pressure to produce.

When approaching a blank piece of paper or white canvas, I have no preconceived idea. After applying the materials in a rather haphazard way, I count on the paint’s qualities and characteristics to create a dialogue and the process becomes one of problem solving. I rely on intuition and spontaneity to draw out what it is I am starting to see and trying to portray.

-Rebecca Mann

Narratives of Time and Nature: Rebecca Mann + Astrid Reischwitz

Exhibition Reception Date:

Thursday, April 3, 5:30pm

Exhibition Opening:

April 3

Exhibition End Date:

May 4

Exhibition Year:

2025

The Taste of Memory

The Taste of Memory is an exploration of personal and collective family narratives woven through still life compositions, intertwining threads of home, heritage, and identity. Through the careful arrangement of ingredients and culinary artifacts, I pay homage to the kitchen traditions that have shaped my family’s story across generations. My images are a photographic journey through the tastes and textures of traditions, inspired by Dutch still life paintings–and the family kitchen table.

Going home means traveling the long distance back to a small village in northern Germany and my family’s old farmhouse, a house that seems untouched by modern time, and, one day soon, will be left behind. Time seems to stand still–and the mystery of the past emerges when I hold everyday objects in my hand, left behind by previous generations. From heirloom crochet doilies to weathered kitchen utensils, each item holds a story, a connection to the past, and a reflection of the present, leading the way to explore the mystery of time.

Old recipes from my village in Northern Germany serve as a starting point for my still life compositions. In a small farming village, fruits and vegetables from surrounding fields and gardens were preserved for wintertime use. Herbs and sausages were hung from the ceiling to dry. Recipes were passed down from mother to daughter, from one generation to the next. The recipes, stained with use and memory, serve as gateways into family histories and village culture. As memory shifts in the act of recollection, recipes evolve over time, mirroring the dynamic nature of cultural identity. Some of the images include embroidery fragments, reminiscent of old decorative dish towels from the village. These patterns, once created as celebratory symbolism for births, weddings, and funerals, now speak of loss and the gradual disappearance of cultural rites.

The Taste of Memory serves as a portal to the heart of home, a goodbye to a memory lost, and an invitation to create a new recipe, a new memory, and a new story.

-Astrid Reischwitz